Greg Dulli. The Afghan Whigs, The Twilight Singers, The Gutter Twins.
Each ticket purchase comes with a downloadable copy of the album.
Greg Dulli VIP Package Details Price per package: $100 +Ticket + Service Fees
Description of package:
Each Package includes:
● 1 Event Ticket
● 1 Meet & Greet and Photo Opp with Greg Dulli
● Invitation to Soundcheck Viewing Access
● 1 Exclusive Merch Package Designed for VIP Purchasers
● 1 Commemorative VIP Laminate
All package elements will be rendered invalid if resold. Name changes will be issued at the sole discretion of 23/7 Global. VIP instructions will be sent via email no later than three days (3) prior to the concert. If you do not receive this email three days (3) prior please email firstname.lastname@example.org. Your VIP merchandise will either be handed out on-site or shipped - specifics will be emailed no later than 3 days before your concert. All packages and contents are non-transferable; no refunds or exchanges; all sales are final. All VIP package items and experiences are subject to change. Please note that the information provided at the time of purchase (e-mail and mailing address) is the same information that will be utilized for shipping and individual contact requirements where applicable. 23/7 Global, the artist, tour, promoter, ticketing company, venue or any other affiliated parties are not responsible for outdated or inaccurate information provided by the consumer at the time of purchase. If you have any questions regarding your VIP package elements, or have not received you package information within three days (3) of the concert date, please email email@example.com. Please add firstname.lastname@example.org to your safe senders list so you don’t miss any emails
The word ‘brat’ has followed Nathan Williams around for almost a decade, but at the age of 30, with a fully-fledged business to his name, as well as the ongoing success of band Wavves, his rebellious streak has proven not just purposeful but pretty damn inspiring. The San Diego native knows how to play the system, so when the major labels came knocking a few years ago looking to turn Wavves into the next so-called saviours of radio rock’n'roll, Williams and bassist Stephen Pope made sure they used it to their advantage.
“We were just trying to go to eat at nice places in LA,” he laughs. “There were a few people from majors who would not stop reaching out to us. They were obsessed. They thought we had heat and they needed an edgy big rock band like they used to have in the ‘90s. Me and Stephen were in our shitty apartments, Googling ‘nicest restaurants in LA’. We went to eight or nine dinners. At the end we’d say, ‘not interested’.”
When Warners came along and offered them a cash advance too good to refuse, they accepted while being shrewdly aware of what they were getting themselves into. “We still owned all of our shit, which was the most important part for us. For them it was a shot in the dark.” The day to day of being signed to a major, however, was unpredictable and beyond their wildest nightmares. “I figured it would run the same as [prior label] Fat Possum, just with more people. I was wrong.” By the time they were readying to release their second Warners album – 2015’s ‘V’ – shots were fired. Williams released single ‘Way Too Much’ on Soundcloud before the label had approved it, the label forgot to sign off on the artwork and, in the end, Wavves felt swept under the rug. Ultimately it felt like a career step backwards.
“I’d never come in contact with such a poorly run company in my life,” says Williams. “It was anarchy. Nobody knew what they were doing. Turnover rate was like an American Apparel. It was really all cons – unless you’re a cash cow. For everyone else, major labels can’t help you. Maybe at one time they could, but that time is dead.” The birds-eye view on Warners’ inner mess wound up pushing Williams to legitimize his own business – Ghostramp. “I figured if these idiots could get by, we could do it a hundred times better.”
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